This Museum Exhibits Spooky Historic Witchcraft & Magic Artifacts

The Buckland Museum of Witchcraft and Magick was founded by Raymond Buckland in 1966. Originally the founder stored his collection in the basement of his home, quickly gathering strange and spooky objects dating back to ancient Egypt and the Salem Witch Trials.

In 1976, Raymond Buckland moved to New Hampshire where he opened the museum from 1977 to 1980. Unfortunately, because of a rigorous writing and lecture schedule, he then had to place the museum collection into storage, where it remained for a number of years. The museum collection was briefly reestablished in New Orleans in 1999 where it passed through multiple hands before being salvaged by Rev. Velvet Reith. 

In July of 2015, the museum collection was relocated to Ohio. Currently it is being restored, and is displayed in the newly founded Buckland Museum of Witchcraft & Magick – giving those interested in macabre objects another chance to browse the shelves. Check out some of the fascinating pieces currently on display in this unique museum.

More Info: Museum Website

Scrimshaw Magic Wand Made In Early 1800s, Boston Area, Unknown Maker
Vernacular Photo By Unknown Person From The 1940s, Possibly Of A Seance
Grimoire Page By An Unknown Hand, British, Possibly 19th Century, Ink And Unknown Substance On Cloth
Bookplate From “Hieroglyphica — Symbols Of Ancient People,” 1735
THH GHOST Glass Negative From The 1920s
Unknown Artist, American, Watercolor Depicting “9th Circle Treachery” Of Dante’s Inferno, Circa 1940s
Bookplates Illustrating The Works Of Jacob Bohme, 1665. Attributed To Johann Georg Gichtel (1638 – 1710)
Jack Edwards, Spirit Photo From The 1940s
#29 Vernacular Photo By Unknown Person From The 1940s
A Cheshire Ghost Spirit Photo, 1870
John Myers Spirit Seance Photo, 1933
Pipe Rack With Lincoln Imp, Carved And Painted Wood With Ornamental Metal Attachments, C. Late 1800s
3 Spirit Photographs Circa 1920 By William Hope (1863 – 1933)
 Josh Stebbins “Mortensen’s Incubus” Pencil Drawing, 2018

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